Uenishi's design works have left a lasting impression on me. Her work, the posters for the World Table Tennis Championships 2015, which brilliantly captures dynamic instances in the rapid back-and-forth of the balls in table tennis, is truly admirable. Her ability to visualize the fencers' energetic physicality and the fencing foils' trajectories in the Visualized Fencing, Yuki Ota's Fencing Championships 2014 project, is both scientific and beautiful. The Asabudai Hills VI design system, with its minimalist geometric shape construction and excellent piecing of the branding colour, makes the identity liveable and is another testament to her talent.

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The exhibition will take me on a journey through Uenishi's diverse works, from bold visual statements to intricate designs that redefine traditional printing techniques. It promises to intrigue and inspire me as a designer.

Uenishi's design works have left a lasting impression on me. Her work, the posters for the World Table Tennis Championships 2015, which brilliantly captures dynamic instances in the rapid back-and-forth of the balls in table tennis, is truly admirable. Her ability to visualize the fencers' energetic physicality and the fencing foils' trajectories in the Visualized Fencing, Yuki Ota's Fencing Championships 2014 project, is both scientific and beautiful. The Asabudai Hills VI design system, with its minimalist geometric shape construction and excellent piecing of the branding colour, makes the identity liveable and is another testament to her talent.

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The exhibition will take me on a journey through Uenishi's diverse works, from bold visual statements to intricate designs that redefine traditional printing techniques. It promises to intrigue and inspire me as a designer.

Uenishi's design works have left a lasting impression on me. Her work, the posters for the World Table Tennis Championships 2015, which brilliantly captures dynamic instances in the rapid back-and-forth of the balls in table tennis, is truly admirable. Her ability to visualize the fencers' energetic physicality and the fencing foils' trajectories in the Visualized Fencing, Yuki Ota's Fencing Championships 2014 project, is both scientific and beautiful. The Asabudai Hills VI design system, with its minimalist geometric shape construction and excellent piecing of the branding colour, makes the identity liveable and is another testament to her talent.

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The exhibition will take me on a journey through Uenishi's diverse works, from bold visual statements to intricate designs that redefine traditional printing techniques. It promises to intrigue and inspire me as a designer.

async–Immersion Tokyo

Based on Sakamoto's seminal album Async, this immersive installation brings his visionary music into the spatial realm. Visitors are surrounded by evolving soundscapes and abstract visual elements, creating a multisensory journey through themes of existence, death, and the beauty found in the ordinary. Async–Immersion Tokyo is a poignant exploration of how sound and space can evoke profound emotional connections.

This exhibition is more than a retrospective; it brings together famous artists and curators to build the exhibit ideally. It is a dialogue between past and future, honouring Ryuichi Sakamoto's genius and enduring impact. Seeing Sound, Hearing Time offers an unparalleled journey into the transformative power of sound, making it an essential experience for art and music enthusiasts alike.

Collaboration artists | Shiro Takatani, Daito Manabe, Carsten Nicolai, Apichatpong Weerasethakul, Zakkubalan, Toshio Iwai
‍Special collaboration | Fujiko Nakaya

Uenishi's design works have left a lasting impression on me. Her work, the posters for the World Table Tennis Championships 2015, which brilliantly captures dynamic instances in the rapid back-and-forth of the balls in table tennis, is truly admirable. Her ability to visualize the fencers' energetic physicality and the fencing foils' trajectories in the Visualized Fencing, Yuki Ota's Fencing Championships 2014 project, is both scientific and beautiful. The Asabudai Hills VI design system, with its minimalist geometric shape construction and excellent piecing of the branding colour, makes the identity liveable and is another testament to her talent.

‍

‍

The exhibition will take me on a journey through Uenishi's diverse works, from bold visual statements to intricate designs that redefine traditional printing techniques. It promises to intrigue and inspire me as a designer.

Uenishi's design works have left a lasting impression on me. Her work, the posters for the World Table Tennis Championships 2015, which brilliantly captures dynamic instances in the rapid back-and-forth of the balls in table tennis, is truly admirable. Her ability to visualize the fencers' energetic physicality and the fencing foils' trajectories in the Visualized Fencing, Yuki Ota's Fencing Championships 2014 project, is both scientific and beautiful. The Asabudai Hills VI design system, with its minimalist geometric shape construction and excellent piecing of the branding colour, makes the identity liveable and is another testament to her talent.

‍

‍

The exhibition will take me on a journey through Uenishi's diverse works, from bold visual statements to intricate designs that redefine traditional printing techniques. It promises to intrigue and inspire me as a designer.